"Contralto" Pronounce,Meaning And Examples

"Contralto" Natural Recordings by Native Speakers

Contralto

"Contralto" Meaning

A contralto is a type of classical singing voice that is typically low-pitched and rich in tone. It is one of the six main voice types, and is characterized by its deep, warm, and full-bodied sound, often used to perform dramatic or serious roles in opera and classical music.

"Contralto" Examples

Contralto

A contralto is a type of low-pitched female singing voice. Here are 5 usage examples:

Example 1

The opera singer's contralto voice echoed through the auditorium, captivating the audience.

Example 2

The choirmaster sought out a talented contralto to join the extracurricular group.

Example 3

Maria Callas was a renowned contralto known for her powerful, rich voice.

Example 4

The composer wrote the role of the contralto for the new choral piece, expecting a deep, resonant sound.

Example 5

The jazz band's saxophonist, a contralto herself, wowed the crowd with her improvisational skills.

"Contralto" Similar Words

Contraindicate

To contraindicate means to advise against a particular treatment, therapy, or activity because it is likely to be harmful or dangerous for a person, usually due to some underlying medical condition or circumstance. In other words, it means to indicate that a particular course of action is not suitable or safe for someone.

Contraindicated

Contraindicated is a medical term that means to be opposed or contradictory to a particular treatment, medication, or procedure. It is often used to describe a situation where a certain action or intervention is not recommended because it could cause harm or worsen a patient's condition. For example, a doctor may say that a particular medication is contraindicated for a patient with a certain allergy or medical condition.

Contraindicates

Contraindicating

Contrasting or invalidating, especially in relation to medical treatment or guidance.

Contraindication

Contraindications

Contraindicative

Contrasticative refers to something that runs counter to or contradicts something else, often implying a contradiction or opposition. It can also imply something that challenges or undermines a prevailing idea, attitude, or theory.

Contralateral

Contranym

A contranym is a word that has two opposite or contradictory meanings. It is also known as an autoantonym or Janus word, named after the Roman god Janus who had two faces.

Contrapasso

Contraposition

Contraposition is a logical operation that involves swapping the antecedent and consequent of a conditional statement, while reversing the direction of the implication. In other words, it turns an "if-then" statement into an "if-not-then-not" statement. For example, if we have a statement: "If it rains, then the streets will flood." The contraposition of this statement would be: "If it doesn't rain, then the streets won't flood." In this new statement, the antecedent ("it rains") has been swapped with the consequent ("the streets will flood"), and the direction of the implication has been reversed. This allows us to deduce that the original statement is true if and only if the contrapositive statement is true.

Contrapositive

Contrapposto

Contraption

Contraptions

Contraptions refer to awkward or cumbersome devices or machines that are often unsophisticated, whimsical, or impractical, typically used to achieve a specific task or solve a particular problem. They can be characterized as makeshift, improvised, or innovative, and may often be humorous or whimsical in nature.

Contrapuntal

Contrapuntal refers to a musical composition or style that features interweaving melodies or harmonies. It is characterized by a complex, layered structure where multiple themes or lines are simultaneously sung or played by different voices or instruments. The term "contrapuntal" comes from the Latin words "contra," meaning "against," and "punctum," meaning "point" or "note," and refers to the way individual voices or lines move in opposition to one another. Contrapuntal music often features rich harmonies, complex textures, and a sense of depth and complexity. It is often used in classical music, particularly in the Renaissance and Baroque periods, as well as in choral and chamber music.